Like a faint gray smudge sullying a building’s side—the only trace of the burned-down house that once stood next door—my photographs seek out the unexpected ways in which the natural and the man- made are intertwined. Rather than finding an easy division between the two, the images create an artificial naturalness and a natural artificiality. Along the way, I use both so-called “pure” observation and digital alteration; at times, I physically construct my own scenes. Seeing is as active as making: there is no such thing as a photograph that has not been manipulated. My photographs are not absolute statements; they only offer a possible way of seeing.