The Thing We Carry

ID cards have given us access to Yale since the ‘90s. What do they signify?

When Miko McGinty was a senior at Yale in 1993, she could get in anywhere. Most students on campus lugged around three keys at all times (one for their college’s courtyard, one for their entryway, and one for their suite), and still had to wait outside the gates of other residential colleges until a sympathetic student let them in. McGinty made no such sacrifices: as the owner of a master key passed down from an upperclassman friend, she was one of only about ten students. . . Read more
Annie Rosenthal
An Urban Love Affair

How photogenic is New Haven?

Self-portrait by Chris Randall Chris Randall spins around to stop a stoop-shouldered elderly woman, moving so quickly that I have to duck his arm. “Hi, Miss, I love your face—may I take your picture?” “Sure, where’s it going?” “I Love New Haven—it’s a website that celebrates people, places, and things in New Haven, and I want to celebrate you!” “Nah, that’s all right.” Randall shrugs off the rejection. “I always start out thinking, oh, no one’s going to let me do this, no one’s going. . . Read more
Elizabeth Miles
When A Cop Calls

An activist in blue bridges the gap between communities and police.

Shafiq Abdussabur with his grandmother after being sworn in as president of the National Association of Black Law Enforcement Officers. Photo by Allan Appel. On a Tuesday afternoon in September, Shafiq Abdussabur stands transfixed by one image on the wall of his office. It’s a hazy photograph of six boys playing tug-of-war, their smiles wide, their eyes focused on victory. “We lost him,” Abdussabur says, pointing to the boy leading the pack. “He was killed two years after this photo was taken. And him, too,”. . . Read more
Alexandra Golden
Old Guns

These images were taken at the Winchester Arms Factory, which has stood just north of Yale since the late nineteenth century.

These images were taken at the Winchester Arms Factory, which has stood just north of Yale since the late nineteenth century. “I think of these photographs as not only a documentation of urban exploration, but also an example of how sometimes the most beautiful images come from those things that have been long forgotten.” -Sarah Eckinger. . . Read more
Sarah Eckinger
Playing Hardball

At 13, Jericho Scott is happy to be a has-been national baseball sensation.

Jericho Scott, pictured here in 2008, on the mound. Three years later, the remnants of Jericho Scott’s brush with youth baseball superstardom reign neatly over his small bedroom. A signed shirt from television personality Jimmy Kimmel hangs on the wall next to Jericho’s own FatHead, a brand of oversized wall sticker usually emblazoned with the likenesses of major league all-stars, not scrawny nine-year-olds pitching for pizza parlor-sponsored youth teams. His limbs flailing and his face scrunched into a ball of childish effort, the Jericho whom the sticker. . . Read more
Ben Mueller
Imagining Atwater Street

Can a utopian community bring hope to a run-down neighborhood?

Adam King, founder of the Atwater Resource Cooperative, at his home in Fair Haven. When Adam King ’88 looks at Atwater Street, he sees wealth. He sees it in the overgrown backyards that could become gardens, in the rundown houses whose extra rooms could become common spaces, and in the out-of-work residents whose skills could transform the neighborhood. Atwater is in Fair Haven, one of the poorest areas of New Haven, Connecticut. King was originally attracted to this neighborhood, which lies to the east of. . . Read more
Nora Caplan-Bricker
Heads Up

In 2009, preschool program New Haven Head Start was found to violate sixteen different federal regulations. How has it cleaned up its act?

In Allison Peruso’s classroom, twenty children sit in a circle, quiet and cross-legged. “I thought it would be good for you to watch me write,” Mrs. Peruso says as she prints “Today is Tuesday” on the board in red marker. After leading a chorus of the “Days of the Week” song, sung to the tune of “the Addams Family,” she points to the words she has written. Children raise their hands eagerly to answer. Many can read the letters on the board. If I didn’t. . . Read more
Aria Thaker

A new monthly night of Balkan music and folk dance at Café Nine has been a long time in the works.

It was the end of the 1970s in Washington, D.C., and nobody was buying Laine Harris’s falafel. The competition was fierce. “I would line up with all the other vendors on the corner—rug dealers, hash-pipe carts, hot-dog carts,” he recalls. When the boredom became unbearable, Harris started to perform. Raised in Alabama, Harris had learned Balkan folk-dancing in college, and at his cart he chose a Macedonian dance involving fancy footwork and towel-twirling. Later, he challenged himself further by chanting rhymes in time to the. . . Read more
Eric Boodman
Cut a Rug

Kebabian’s Oriental Rugs on Elm Street weaves together past and present.

John Kebabian’s desk is in the corner of the storefront, almost hidden behind a pile of small rugs. It lacks modern technological gadgets, including a computer. Here, John neatly records transactions by hand on spreadsheets collected in a black binder. The whole interior of the store has an old quality about it, reminding customers that Kebabian’s Oriental Rugs has been in John’s family for more than a century. It is clean, with hardwood floors, solid white walls, and a high ceiling adorned with a pattern. . . Read more
Hanjing Cao
The Race for Ward 1

Sarah Eidelson ’12 and Vinay Nayak ’14 at a critical moment in city politics.

This summer, before she announced her candidacy for Ward 22 alderwoman, Jeanette Morrison went door to door in Dixwell, asking her neighbors what concerns they had about the community. “There’s no jobs,” they told her. But from the porches where she stood listening, she could see construction happening all over neighboring Ward 1 on Yale’s campus. How could the city grant those zoning rights, she wondered, without also requiring that some of the area’s unemployed residents be trained and allowed to work on these projects?. . . Read more
Emily Rappaport